莫扎特小夜曲




吉他曲:莫扎特小夜曲 作曲:莫扎特


莫扎特简介

沃尔夫冈·阿瑪迪斯·莫扎特(Wolfgang Amadeus Mozart,1756年1月27日-1791年12月5日),出生于神圣罗马帝国时期的萨尔斯堡,是欧洲最伟大的古典主义音乐作曲家之一。35岁便英年早逝的莫扎特,留下的重要作品总括当时所有的音乐类型。

根据当代的考证显示,在钢琴和小提琴相关的创作,他无疑是一个天份极高的艺术家,谱出的协奏曲、交响曲、奏鸣曲、小夜曲、嬉游曲成为后来古典音乐的主要形式,他同时也是歌剧方面的专家,他的成就至今不朽于时代的迁变。

莫扎特作品风格

莫札特连同海顿、贝多芬都被视为“维也纳派”古典音乐风格,如果莫札特是古典音乐风格的最佳代表,他的曲风却远远不止于此,他的曲风是最有个性的和最能立即入耳的曲风之一。

承袭了音乐世家的血统,很早便习惯旅行生活,并习于与演奏家和其他甚至不同国籍的作曲家交流相识,莫札特自小就变成天才的模仿家,他能捕捉住所有他听到的声音;在他一生中他一直遵循这种方法,尤其是当熟悉对位法时。当时是洛可可时代,他从小就沉浸其中,对位法这种“学者风格”是如此难以学习吸收。

莫札特开始于转写几首巴赫的赋格曲为弦乐三重奏,这些弦乐三重奏由 Van Swieten (K. 404a)定制,然后真正致力于创作赋格,期间遇到不少困难.

随后数年,莫札特放弃纯粹的模仿,但他的作品却从这样的练习中获取难以估计的灵感和提升:G大调四重奏终曲(K. 387)和 C大调第四十一号交响曲“朱彼得”的终曲(K. 551),deux mouvements où la superposition des lignes atteint une maîtrise inégalée.

莫扎特是多产又多变的天才,歌剧、交响曲、协奏曲、室内乐、宗教音乐,都是他涉猎的范围,莫札特全方位地尝试各种可能,每一种音乐种类、每一种音乐形式、每种乐器,使得作品最终能更改完善或重新谱出更加完美的成果。

莫扎特的音乐清明高远,乐天愉快,淳朴优美,其挚温暖,有如天籁一般。常常被誉为“永恒的阳光”。

莫扎特在严酷命运的摧残之下默默地承受着、孕育着、奉献着,象殉道的使徒般唱着温馨甘美的音乐安慰着自己,安慰着整个世界。(来源:维基百科)


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Wolfgang Amadeus Mozart
From Wikipedia, the free encyclopedia

Wolfgang Amadeus Mozart, baptized Joannes Chrysostomus Wolfgangus Theophilus Mozart) (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.

http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart#Works.2C_musical_style.2C_and_innovations
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Mozart's works, musical style, and innovations
From Wikipedia, the free encyclopedia

Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.

http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart#Works.2C_musical_style.2C_and_innovations
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