Edvard Munch ( December 12, 1863 – January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream (1893[2] and 1910) (?)[3] is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. As here, he often painted several versions of the motif. Similar paintings include Despair and Anxiety.The Frieze of Life themes recur throughout Munch's work, in paintings such as The Sick Child (1885), Love and Pain (1893-94), Ashes (1894), and The Bridge. The latter shows limp figures with featureless or hidden faces, over which loom the threatening shapes of heavy trees and brooding houses. Munch portrayed women either as frail, innocent sufferers (see Puberty and Love and Pain) or as the cause of great longing, jealousy and despair (see Separation, Jealousy and Ashes). Some say these paintings reflect the artist's sexual anxieties, though it could also be argued that they are a better representation of his turbulent relationship with love itself.
