【檀香木芭蕾】“雷蒙达”：一位舞者的理想 - 芭蕾明星鲁道夫·紐瑞耶夫

【Santal Ballet】Rêve d'Danseur : Les grands ballets de Rudolf Noureev - «Raymonda»

【Sandalo Ballet】Dancer Sogno : Les grandi balletti di Rudolf Nureyev - "Raymonda"

【Sandal Ballet】Dancer's Dream: The Great Ballets of Rudolf Nureyev -"Raymonda"

"Dancer's Dream: The Great Ballets of Rudolf Nureyev -"Raymonda". 1999

Репетиция балета Раймонда, отрывки из балета. В фильме рассказывается о репетиционном процессе постановки балета "Раймонда" в Парижской Опере и события из жизни великого танцовщика. Есть довольно редкие кадры и интервью, которые дадут большее представление о том, как жил и работал Р.Нуреев за границей.

影片采访了芭蕾舞剧“Raymonda”那些优秀的舞者在巴黎歌剧院排练过程中的活生生的事件，有许多巴黎芭蕾舞团排演“雷蒙达”的选段，有许多是相当难得的画面和采访，所有这些向观众展示了纽瑞耶夫在国外是如何生活和工作的，从而对纽瑞耶夫有更深入的了解。

3:40 (with humble smile) Being lazy.

5:10 There is no revolution. I am more like a doctor, helping dancers.

8:10 You see, there are many modern (dance) companies, but they can't do "Raymonda". But Paris Opera CAN do "Raymonda", they CAN do classics. We should move the basic, the center of the repertoire, should be very solid classical work.

13:00 - 13:30 (with elegant smile) C'era una certa sofferenza. (There was some pain.)

25:30 - 26:10 (flying dance, with Renaissance-style dress, sooooo cheerful)

27:30 - 28:00 (with witty smile) la mia esperienza di ballerina "di una certa eta" (my experience as a dancer "of a certain age")

30:40 - 31:30 (heroic dance? masculine dance? or both?)

37:20 When I came to the West, I didn't say "Here I come". No. I came here and say "How do they dance here? How do they move? What is their classics? What is modern dance? ... Ever since 1961, I was curious ...

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Raymonda

From Wikipedia, the free encyclopedia

Important Ballets & *Revivals of Marius Petipa

*Paquita (1847, *1881)
*Le Corsaire (1858, 1863, 1868, 1885, 1899)
The Pharaoh's Daughter (1862, *1885, *1898)
Le Roi Candaule (1868, *1891, *1903)
Don Quixote (1869, *1871)
La Bayadère (1877, *1900)
*Giselle (1884, 1899, 1903)
*Coppélia (1884)
*La fille mal gardée (1885)
*La Esmeralda (1886, 1899)
The Talisman (1889)
The Sleeping Beauty (1890)
The Nutcracker (1892)
Cinderella (1893)
The Awakening of Flora (1894)
*Swan Lake (1895)
*The Little Humpbacked Horse (1895)
Raymonda (1898)
The Seasons (1900)
Harlequinade (1900)

Raymonda (Russian: Раймонда) is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa, with music by Alexander Glazunov, his opus 57. First presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in St. Petersburg, Russia. Among the ballet's most celebrated passages is the Pas Classique hongrois or Raymonda Pas de dix from the third act, which is often performed independently.

[hide]

[edit] History

[edit] Composition history

Raymonda was the creation of Marius Petipa, the renowned Maître de Ballet to the St. Petersburg Imperial Theatres, the composer Alexander Glazunov, the director of the St. Petersburg Imperial Theatres Ivan Vsevolozhsky, and the author and columnist Countess Lidiya Pashkova.

[edit] Performance history

St. Petersburg Premiere (World Premiere)

Date: 19 January [O.S. 7 January] 1898
Place: Mariinsky Theatre, St. Petersburg
Balletmaster: Marius Petipa
Conductor: Riccardo Drigo
Scene Designers: O. Allegri, K. Ivanov, Pyotr Lambin

Moscow Premiere

Date: 5 February [O.S. 23 January] 1900
Place: Bolshoi Theatre, Moscow
Balletmaster: Ivan Khlyustin, Aleksandr Gorsky
Conductor: Andrey Arends
Scene Designers: Karl Valts (Waltz), Lütke-Meyer, P. Isakov

Other Notable Productions

Act I of the original production of Raymonda on the stage of the Mariinsky Theatre. In the center is Pierina Legnani, creator of the title role.

Pierina Legnani—creator of the title role—costumed for Act I of Raymonda. She is shown in a pose from the celebrated Entrée de Raymonde, in which the heroine collects a series of flowers placed on the floor and subsequently posing in attitude. St. Petersburg, 1898

Natalia Bessmertnova as Raymonda and Gediminas Taranda as Abderakhman in the Grand Pas d'action from the Bolshoi Ballet's production of the Petipa/Glazunov Raymonda. Moscow, 1980

1908, Moscow, Bolshoy Theatre, Balletmaster Gorsky, conductor Arends, décor by Konstantin Korovin

Original Interpreters

Role	St. Petersburg 1898	Moscow 1900	Moscow 1908
Raymonda	Pierina Legnani	Adelaide Giuri	Yekaterina Geltser
Jean de Brienne	Sergey Legat	Mikhail Mordkin	Vasiliy Tikhomirov
Henrietta	Olga Preobrajenska
Cléménce	Klavdiya Kulichevskaya
Abderakhman	Pavel Gerdt	Aleksey Yermolayev	M. Shchipachov

The full-length Raymonda has been revived many times throughout its performance history, the most noted productions being staged by Mikhail Fokine for the Ballet Russe (1909); Anna Pavlova for her touring company (1914); George Balanchine and Alexandra Danilova for the Ballet Russe de Monte Carlo (1946); Konstantin Sergeyev for the Kirov Ballet (1948); Rudolf Nureyev for American Ballet Theatre (1975), and for the Paris Opera Ballet (1983); Yuri Grigorovich for the Bolshoi Ballet (1984); Anna-Marie Holmes (in a 2-act reduction) for the Finnish National Ballet (2004), a version which was then staged for American Ballet Theatre (2004) and the Dutch National Ballet (2005).

There have been many productions around the world of only extracts from the full-length Raymonda, being for the most part taken from the Grand Pas Classique Hongrois from the third Act, which is considered to be among Marius Petipa's supreme masterworks. The most noted of these productions have been staged by George Balanchine for the New York City Ballet (1955, 1961, 1973); Rudolf Nureyev for the Royal Ballet Touring Company (1964); and Mikhail Baryshnikov for American Ballet Theatre (1980, 1987).

In 2005 the Australian Ballet Company performed a modern version of Raymonda, set in the 1950s, where Raymond is a Hollywood star and has filmed her last film before marrying a European prince. It was choreographed by Stephen Baynes and bears no resemblance to the original ballet.

[edit] Structure

Act I (scene 1) — La fête de Raymonde

no.01 Introduction
no.02 Jeux et danses

—a. La traditrice

no.03 Entrée de Raymonde
no.04 Scène
interpolation: Entrée d'Abdéràme
no.05 Entrée des vassals et des esclaves
no.06 Pas d'ensemble —

a. Valse provençale

b. Pizzicato – Variation de Raymonde

c. Coda

no.07 Départ des invitées
no.08 La romanesque —

a. La Romanesque

b. Une fantaisie – Variation de Raymonde

no.09 Clémence joue du luth
no.10 Entrée de la Dame Blanche
no.11 Entr'acte symphonique

Act I (scene 2) — Visions

no.12 Grand scène du rêve
no.13 Entrée de Jean de Brienne
no.14 Grand Pas d'action —

a. Grand adage

b. Valse fantastique

c. Variation I

d. Variation II

e. Variation de Raymonde (cut by Petipa from the original production)

interpolation: Variation pour Mlle. Legnani (arranged by Glazunov from the Valse of his 1894 Scènes de Ballet, op. 52)

f. Grand coda

no.15 Scène dramatique
no.16 Ronde des follets et des farfadets

Act I (scene 3) — L'aurore

no.17 Scène finale

Act II — Cour d'amour

no.18 Ouverture
no.19 Marche
no.20 Entrée d'Abdéràme
no.21 Pas d'action —

a. Grand adage

b. Variation

c. Variation

d. Variation de Raymonde

e. Grand coda

Grand divertissement —

no.22 Entrée

no.23 Pas des esclaves sarrasins

no.24 Pas des mariscos

no.25 Danse sarrasine

no.26 Pandéros

no.27 Danse orientale (transformed by Petipa into the scene Les échansons)

no.28 Coda générale / Bacchanalia

no.29 L'arrivée de Jean de Brienne et Roi André II
no.30 Le combat
no.31 Dénouement et final

Act III — Le festival des noces

no.32 Entr'acte
no.33 Grand cortège hongrois
no.35 Rapsodie
no.34 Palotás
interpolation: Mazurka (Insertion from Glazunov's 1894 Scènes de Ballet, op. 52)
no.36 Pas classique hongrois —

a. Entrée

b. Grand adage (a.k.a. Pas de dix)

c. Variation I

d. Variation II (cut by Petipa from the original production)

e. Variation pour quatre danseurs

f. Variation de Raymonde

interpolation: Variation (taken from the Act II Pas d'action, 1948 by Konstantin Sergeyev)

g. Grand coda