"Nobody Knows The Trouble I've Seen"
Nobody knows the trouble that I've seen
Nobody knows my sorrow
Nobody knows the trouble that I've seen
Glory hallelujiah
Nobody knows the trouble that I've seen
Nobody knows my, my sorrow
Nobody knows the trouble that I've seen
Glory hall- glory hallelujiah
Sometimes I'm up and sometimes I'm down
Oh, yes lord
You know sometimes almost to the ground
Oh, oh yes lord
Still, nobody knows the trouble that I've seen
Nobody, nobody knows my, my sorrow
Nobody knows the trouble that I've seen
Glory hallelujiah
If you get there before I do
Oh, oh yes lord
Don't forget to tell all my friends I'm comin' too
Whoa, oh yes lord
Still, nobody knows the trouble that I've seen
Nobody knows my sorrow
Nobody knows the trouble that I've seen
Glory hall- hallelujiah
Nobody knows my sorrow
Nobody knows the trouble that I've seen
Glory hallelujiah
Nobody knows the trouble that I've seen
Nobody knows my, my sorrow
Nobody knows the trouble that I've seen
Glory hall- glory hallelujiah
Sometimes I'm up and sometimes I'm down
Oh, yes lord
You know sometimes almost to the ground
Oh, oh yes lord
Still, nobody knows the trouble that I've seen
Nobody, nobody knows my, my sorrow
Nobody knows the trouble that I've seen
Glory hallelujiah
If you get there before I do
Oh, oh yes lord
Don't forget to tell all my friends I'm comin' too
Whoa, oh yes lord
Still, nobody knows the trouble that I've seen
Nobody knows my sorrow
Nobody knows the trouble that I've seen
Glory hall- hallelujiah
"Nobody Knows the Trouble I've Seen" trumpet concerto小号协奏曲
"Nobody Knows the Trouble I've Seen" is a spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Paul Robeson, Sam Cooke among others.[1] Anderson had her first successful recording with a version of this song on the Victor label in 1925.[2] Horne recorded a version of the song in 1946.[3] Deep River Boys recorded their version in Oslo on August 29, 1958. It was released on the extended play Negro Spirituals Vol. 1 (HMV 7EGN 27). The song was arranged by Harry Douglas.It is one of the five spirituals included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1905–98).
