Beethoven Violin Sonata No.5 Op.24 “Spring “ in F major 貝多芬 F大調第五號小提琴奏鳴曲 春天 交響情人夢 のだめカンタービレ
贝多芬春天奏鸣曲貝多芬幾畤都給你新鮮和刺激享受； 小提琴輿罁琴對答就是。此貝多芬之爲,貝多芬。
Beethoven's Violin Sonata No. 5, Op. 24, known as the "Spring Sonata," is truly moving and beautiful. It's full of cheer and youthful love. This sonata must have been composed during a happier time in Beethoven's life, before he experienced deep heartbreak again.
In the early morning, the bright sound of the violin resonates, touching the soul with its melody. The performance by David Oistrakh on violin and Lev Oborin on piano is especially notable. Their rendition highlights the beauty of the melody, although it does repeat a bit too much. With a few rearrangements, it could be even more perfect.
The piece should be called the Piano and Violin Sonata, as it features both instruments prominently. Beethoven seemed to be constantly restless and agitated while composing this, never finding a moment of peace. It feels almost like he was burning with desire, suppressing it without a trace of joy.
Sonata for Violin and Piano No.5 in F major, Op.24 “Spring” 1. Allegro 0:00 2. Adagio molto espressivo 10:12 3. Scherzo (Allegro molto) 16:17 4. Rondo (Allegro ma non troppo) 17:36 Recorded: October 1962, Le Chant du Monde, Paris, France. Mastering Engineer : Kazuie Sugimoto (Victor Creative Media Co., Ltd. Mastering Center) David Oistrakh – Violin Lev Oborin – Piano The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of historical recording selections that have been mainstays of the catalog since their initial release on LP, until the present digital age of CD. These new audio versions feature ESOTERIC’s proprietary re-mastering process to achieve the highest level of sound quality. ESOTERIC equipment used for re-mastering The criterion of re-mastering is to faithfully capture the quality of the original master tapes. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master tapes.
In the early morning, the bright sound of the violin resonates, touching the soul with its melody. The performance by David Oistrakh on violin and Lev Oborin on piano is especially notable. Their rendition highlights the beauty of the melody, although it does repeat a bit too much. With a few rearrangements, it could be even more perfect.
The piece should be called the Piano and Violin Sonata, as it features both instruments prominently. Beethoven seemed to be constantly restless and agitated while composing this, never finding a moment of peace. It feels almost like he was burning with desire, suppressing it without a trace of joy.
Beethoven Sonata for Violin and Piano no. 5 David Oistrakh, Lev Oborin (1962/2015)
https://www.youtube.com/watch?v=8TVCmh98Kc8
5,216 views Jul 1, 2019Oistrakh's stable and fat sound. Although not famous, Oborin is a powerful Russian man. The problem is that the performance implies that a time of inconvenience will come.Only music. There is no other way to live other than to follow society.
清晨的 嘹亮 琴聲 觸動心靈的旋律 Is it played by David Oistrakh and Lev Oborin? who was the soloist and the pianist? 旋律優美極了，但重覆確實太多了一點，適當rearrange還是可以的。 Should be called the piano & violin Sonata 贝多芬一直处在春的躁动里面，没有片刻的宁静。有点欲火焚身的感觉，压抑克制，没有一丝快乐" on Beethoven Violin Sonata No.5 Op.24 “Spring “ in F major in writing of laymen language.
https://www.youtube.com/watch?v=FaG4B1BXDlg
如果用程顥的春.日偶成，來欣賞貝多芬的春天，優美的旋律，就像是跳動的心弦那麼愉快： 雲淡風輕近午天，傍花隨柳過前川；時人不識余心樂，將謂偷閒學少年。
如果用朱熹的春日，來欣賞貝多芬的春天，優美的旋律，就像百花綻放的聲音：勝日尋芳泗水濱， 無邊光景一時新；等閒識得東風面，萬紫千紅總是春。
如果用杜牧的清明，來欣賞貝多芬的春天，優美的旋律， 就像紛紛細雨的聲音：清明時節雨紛紛，路上行人欲斷魂，借問酒家何處有 ，牧童遙指杏花村。
如果用杜牧的江南春，來欣賞貝多芬的春天， 優美的旋律，就像黃鶯的叫聲：十里鶯啼綠映紅，水村山郭酒旗風；南朝四百八十寺，多少樓台煙雨中。
如果用蘇軾的花影，來欣賞貝多芬的春天， 優美的旋律，就像用人打掃花影的聲音：重重疊疊上瑶台，幾度呼童掃不開，剛被太陽收拾去，卻教明月送將來。
詩有情景交融的境界，音樂或彫刻、繪畫也有情景交融的境界，詩人用優美的文字，音樂家用優美的旋律，彫刻家用優美的線條，畫家用優美的彩色， 創造不朽作品，都在表達我們看不到、聼不到、想不到的境界，它是從神來的，神透過他們的創作，告訴我們什麼是生命！
12,148 views May 9, 2016
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/ @classicalraritieschannel ----------------------------------------------------------------- Sergei Taneyev (1856-1915) - Violin Sonata in A minor ? 00:00. I. Allegro ? 05:35. II. Adagio cantabile ? 12:35. III. Minuetto ? 16:51. IV. Allegro ma non troppo David Oistrakh (violin), Lev Oborin (piano) Recorded in 1950 ----------------------------------------------------------------- Сергей Танеев (1856-1915) - Соната для скрипки и фортепиано ля минор Давид Ойстрах (скрипка), Лев Оборин (фортепиано) Запись 1950 г.
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David Oistrakh, Lev Oborin Sviatoslav Knushevitsky Brahms Piano Trio 1 (Adagio) & Scherzo from Mendelssohn Trio 1 Live
https://www.youtube.com/watch?v=WMSMWmYheqc? David Oistrakh, Lev Oborin, Sviatoslav Knushevitsky - Brahms Adagio & Mendelssohn Scherzo Live
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David Oistrakh & Lev Oborin play Taneyev - Violin Sonata
https://www.youtube.com/watch?v=A-a158UHUtQ
/ @classicalraritieschannel ----------------------------------------------------------------- Sergei Taneyev (1856-1915) - Violin Sonata in A minor ? 00:00. I. Allegro ? 05:35. II. Adagio cantabile ? 12:35. III. Minuetto ? 16:51. IV. Allegro ma non troppo David Oistrakh (violin), Lev Oborin (piano) Recorded in 1950 ----------------------------------------------------------------- Сергей Танеев (1856-1915) - Соната для скрипки и фортепиано ля минор Давид Ойстрах (скрипка), Лев Оборин (фортепиано) Запись 1950 г.***
David Oistrakh, Lev Oborin Sviatoslav Knushevitsky Brahms Piano Trio 1 (Adagio) & Scherzo from Mendelssohn Trio 1 Live
https://www.youtube.com/watch?v=WMSMWmYheqc? David Oistrakh, Lev Oborin, Sviatoslav Knushevitsky - Brahms Adagio & Mendelssohn Scherzo Live
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