五言七言詩基本取代了四言樂府古詩,以後保括九言(如『浪淘尽千古风流人物』可連讀算九言)的詞,等於突破了五言七言的格式。但九言詩還是稀罕。也許反映五,六,七字足以基本表達比較完整的一句。
作為複雜的論述文,要同樣只用五六七個字是困難的。所以簡短口號式的,及歷史遺留下的成語等,往往要補充才能正確。比如"大干快上",國外好像沒有這樣簡單大呼隆的。
五言七言詩基本取代了四言樂府古詩,以後保括九言(如『浪淘尽千古风流人物』可連讀算九言)的詞,等於突破了五言七言的格式。但九言詩還是稀罕。也許反映五,六,七字足以基本表達比較完整的一句。
作為複雜的論述文,要同樣只用五六七個字是困難的。所以簡短口號式的,及歷史遺留下的成語等,往往要補充才能正確。比如"大干快上",國外好像沒有這樣簡單大呼隆的。
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