Evita Peron | English Full Movie | Drama History
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https://www.youtube.com/watch?v=Cg-x_puD-vM
10,467 views Nov 28, 2023 #FullFreeMovies #FreeYouTubeMovies #Dramamovie
Never miss a single new movie film - subscribe here - ? / @ddfreelfilms It is a biographical drama chronicling the life of Eva Perón, the iconic Argentine political figure and first lady. The film traces her journey from a humble background to becoming a beloved and controversial figure in Argentine politics. It highlights Eva's rise to prominence, her advocacy for the rights of the working class, her marriage to President Juan Perón, and her immense influence on Argentine society. The movie delves into her complex persona, exploring her charisma, ambition, and impact on history while showcasing her lasting legacy in the hearts of the Argentine people.
Starring: Faye Dunaway, James Farentino, Pedro Armendáriz Jr. Directed By: Marvin J. Chomsky.
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@elmagodelmaryahoo
1 day ago (edited)
Aaaaaah, little Eva.... "Like mother like daughter". [] Lovely Faye Dunaway delivers an accurately convincing portrayal of the ambitiously manipulative, self-serving, often cruel country troglodyte who, like all good Latina Catholics, "spent a lot of time on her knees" !!! [] Similarly, Farentino's role evidences the old adage, "Absolute Power Corrupts Absolutely".... Who while touting Socialist ideals, only proved Karl Marx's dying sentiment that revolution is rarely anything more than power merely changing hands = $$$ = And they ALL receive The Blessing of the Vatican, TOO = $$$ []
@polarfamily6222
5 days ago
She was, alongside her husband, one of the biggest thieves and crooks in Argentine political history that caused untold long term societal damage. In other words, your typical leftist.
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Legacy and reputation[edit]
Dunaway is regarded as one of the greatest and most beautiful actresses of her generation, as well as a powerful emblem of the New Hollywood.[17][22][65] Director John Huston, who played Dunaway's father in Chinatown, stated in a 1985 interview that he found her to be "quite extraordinary".[122] Robert Evans, who produced Chinatown, also described her as "extraordinary", and affirmed that "no one could've played her part as well".[123] Stephen Rebello of Movieline wrote in a 2002 article, "Though fiercely modern, an ideal female analog for screen machos like Steve McQueen and the young Jack Nicholson, she also radiated the stuff vintage movie stars are made of. Any actress today would be lucky to have a fraction of her films on her resume."[89]
Cannes Film Festival artistic director Thierry Fremaux said, "She has one of the most wonderful filmographies of any actress. Look at her movies from the '70s for example – she only made good choices. She's had an incredible career."[124] Through her career, Dunaway worked with many of the 20th century's greatest directors—Elia Kazan, Sidney Lumet, Arthur Penn, Roman Polanski, Sydney Pollack and Emir Kusturica among them, and several of the films she starred in became classics. In 1998, the American Film Institute ranked Bonnie and Clyde, Chinatown and Network on their list of the 100 best American movies ever made.[125] Her roles as Bonnie Parker and Joan Crawford were respectively named 32nd and 41st on the AFI's list of the fifty greatest screen characters in the villain category.[126] Elizabeth Snead wrote in her review for USA Today of Dunaway's memoirs that she was "the epitome of a modern, mature, sexy woman"[127] and Mark Harris of Entertainment Weekly felt that "Faye Dunaway is a rarity in the land of stars (and star bios) – a tough, smart, committed pro".[85] In 1994, Dunaway was ranked 27th by People Magazine on a list of the 50 most beautiful people and in 1997 she was ranked 65th by Empire on a list of the 100 top stars in film history.
Famously demanding, with an attention to detail that sometimes drove costars and directors mad, Dunaway believed that she was often mistaken as being as cold and calculating as some of the women she portrayed. Her clashes with Roman Polanski on the set of Chinatown earned her a reputation for being difficult to work with. Upon the release of the film, Polanski told a reporter for Rolling Stone that he considered Dunaway "a gigantic pain in the ass", but added that he had "never known an actress to take work as seriously as she does. I tell you, she is a maniac."[40] Bette Davis described Dunaway as the worst person she had ever worked with in an interview with Johnny Carson in 1988, calling her "totally impossible", "uncooperative', and "very unprofessional".[128] Dunaway denied Davis' claims in her autobiography, writing "Watching her, all I could think of was that she seemed like someone caught in a death throe, a final scream against a fate over which no one has control. I was just the target of her blind rage at the one sin Hollywood never forgives in its leading ladies: growing old."[129]
In his 1996 book Making Movies, Sidney Lumet slammed Dunaway's reputation for being difficult as "totally untrue", and called her a "selfless, devoted, and wonderful actress".[130] Director Elia Kazan described Dunaway as "a supremely endowed, hungry, curious, bright young talent", and added, "Faye is a brilliant actress and a shy, highly-strung woman. She is intelligent, and she is strong-willed." Like Lumet, Kazan felt she was not difficult, but a perfectionist who was never satisfied. "The artist is rarely, if ever, satisfied. The artist is frequently grateful and intermittently amazed, but he or she is never satisfied. That Faye is unlikely to be satisfied with her efforts—or those with whom she works—is not a caprice; it is not the willful misbehavior of a spoiled actress: This is how artists operate."[131] Johnny Depp, who co-starred with Dunaway in Arizona Dream and Don Juan deMarco, called her a misunderstood artist. "She's just uncompromising as an actress, and I think that's a positive thing."[81] Maria Elena Fernandez of the Los Angeles Times wrote in a 2005 article about Dunaway that "in her case, the behavior many call 'difficult' seems clearly linked more to passions than to ego".[132] In her autobiography Looking for Gatsby, Dunaway confronted this reputation and described herself as a "perfectionist":
