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读英译山行有感
林贝卡 发表评论于
回复缘自知音的评论:
缘自知音真能干，还会包粽子。
缘自知音真能干，还会包粽子。
缘自知音 发表评论于
Rebecca,
杜牧的《秋夕》，画中有诗，诗中有画。非常欣赏这样贴切又简洁的评语!
今天是端午节,但是忙着工作,要到周末才会去同乡会聚餐品尝粽子. 生活在海外其实各种节日很多,唯独的小遗憾就是中国四大传统节日(春节,元宵,端午,中秋)都在上班. 以前我都尝试自己包过粽子呢, 尽管超市里都有卖, 但吃起来感觉还是很不一样,呵呵.
同祝你端午节快乐!
杜牧的《秋夕》，画中有诗，诗中有画。非常欣赏这样贴切又简洁的评语!
今天是端午节,但是忙着工作,要到周末才会去同乡会聚餐品尝粽子. 生活在海外其实各种节日很多,唯独的小遗憾就是中国四大传统节日(春节,元宵,端午,中秋)都在上班. 以前我都尝试自己包过粽子呢, 尽管超市里都有卖, 但吃起来感觉还是很不一样,呵呵.
同祝你端午节快乐!
林贝卡 发表评论于
回复飘尘永魂的评论:
你说的真好：“诗是有声无形的画。”
你的问题也特别的好：“尤其是诗歌的押韵不知在英文译诗中如何表达？”很遗憾，我对英诗的韵律等所知甚少，美语坛有些网友对英诗的写作和理论等颇有研究，也许你可以去哪里询问探讨。
今天是端午节，祝你节日快乐，
Rebecca
你说的真好：“诗是有声无形的画。”
你的问题也特别的好：“尤其是诗歌的押韵不知在英文译诗中如何表达？”很遗憾，我对英诗的韵律等所知甚少，美语坛有些网友对英诗的写作和理论等颇有研究，也许你可以去哪里询问探讨。
今天是端午节，祝你节日快乐，
Rebecca
林贝卡 发表评论于
回复缘自知音的评论:
缘自知音，
谢谢你分享杜牧的《秋夕》，以及白话翻译和英译。喜欢诗中的意境，画中有诗，诗中有画。
今天是端午节，吃粽子了吗？
Happy Dragon Boat Festival to you and your family,
Rebecca
缘自知音，
谢谢你分享杜牧的《秋夕》，以及白话翻译和英译。喜欢诗中的意境，画中有诗，诗中有画。
今天是端午节，吃粽子了吗？
Happy Dragon Boat Festival to you and your family,
Rebecca
飘尘永魂 发表评论于
感谢分享，只是不知西人读完英译的山行是如何感受？
诗是有声无形的画，尤其是诗歌的押韵不知在英文译诗中如何表达？
诗是有声无形的画，尤其是诗歌的押韵不知在英文译诗中如何表达？
缘自知音 发表评论于
Rebecca,
谢谢你介绍杜牧的山行以及海外逸士的英译.很美的一首晚唐的名诗.
和你分享杜牧的另一首诗－秋夕以及别人的中英文翻译，也是我非常喜爱的一首杜牧的诗：
银烛秋光冷画屏，轻罗小扇扑流萤。
天阶夜色凉如水，坐看牵牛织女星。
中文白话文翻译 --- 秋夜
白色的烛光映着冷清的画屏；我手执绫罗小扇，轻轻地扑打飞蛾。天阶上的夜色，有如井水般清凉；坐榻仰望星空，牵牛星正对织女星。
英文翻译 --- Autumn Night
The autumn light and the silver candle are cool on the painted screen;
She hits at the swirling fireflies with a small light silken fan.
In the night sky the heavenly Steps appear clear and cold, like water;
She sits and looks at the stars of the Cowherd and the Weaver.
谢谢你介绍杜牧的山行以及海外逸士的英译.很美的一首晚唐的名诗.
和你分享杜牧的另一首诗－秋夕以及别人的中英文翻译，也是我非常喜爱的一首杜牧的诗：
银烛秋光冷画屏，轻罗小扇扑流萤。
天阶夜色凉如水，坐看牵牛织女星。
中文白话文翻译 --- 秋夜
白色的烛光映着冷清的画屏；我手执绫罗小扇，轻轻地扑打飞蛾。天阶上的夜色，有如井水般清凉；坐榻仰望星空，牵牛星正对织女星。
英文翻译 --- Autumn Night
The autumn light and the silver candle are cool on the painted screen;
She hits at the swirling fireflies with a small light silken fan.
In the night sky the heavenly Steps appear clear and cold, like water;
She sits and looks at the stars of the Cowherd and the Weaver.
林贝卡 发表评论于
山行 (双语， 作者不明）
来源: [ 美语世界 ] bearsback 于 10-06-13 12:46:06
http://web.wenxuecity.com/BBSView.php?SubID=mysj&MsgID=79500
来源: [ 美语世界 ] bearsback 于 10-06-13 12:46:06
http://web.wenxuecity.com/BBSView.php?SubID=mysj&MsgID=79500
林贝卡 发表评论于
【古诗意译】山行（唐）杜牧
来源: [ 美语世界 ] lilac09 于 10-06-13 07:16:25
http://web.wenxuecity.com/BBSView.php?SubID=mysj&MsgID=79472
来源: [ 美语世界 ] lilac09 于 10-06-13 07:16:25
http://web.wenxuecity.com/BBSView.php?SubID=mysj&MsgID=79472
林贝卡 发表评论于
英译：山行（唐）杜牧
来源: [ 美语世界 ] 海外逸士 于 10-06-12 07:17:16
http://web.wenxuecity.com/BBSView.php?SubID=mysj&MsgID=79410
来源: [ 美语世界 ] 海外逸士 于 10-06-12 07:17:16
http://web.wenxuecity.com/BBSView.php?SubID=mysj&MsgID=79410
林贝卡 发表评论于
Du Mu
From Wikipedia, the free encyclopedia
Du Mu (杜牧, 803—852) was a leading Chinese poet of the late Tang Dynasty. His courtesy name was Muzhi (牧之), and sobriquet Fanchuan (樊川).
He was born in Chang'an (modern Xi'an) into an elite family whose fortunes were declining. He passed the jinshi ("Presented Scholar") level of the imperial civil service examination in 827 at the age of 25, and went on to hold many official positions in various locales through the years. However, he never achieved a high rank, perhaps due to enemies made in a factional dispute in 835. He was appointed to the office of Secretariat Drafter shortly before his death.
Du Mu was skilled in shi, fu and ancient Chinese prose. He is best known as the writer of sensual, lyrical quatrains featuring historical sites or romantic situations, and often the themes of separation, decadence, or impermanence. His style blends classical imagery and diction with striking juxtapositions, colloquialisms, or other wordplay. He also wrote long narrative poems, as well as a commentary on the Art of War and many letters of advice to high officials.
Regarded as a major poet during a golden age of Chinese poetry, his name is often mentioned together with that of another renowned Late Tang poet, Li Shangyin, as the Little Li-Du (小李杜), in contrast to the Great Li-Du: Li Bai and Du Fu. Among his influences were Du Fu, Li Bai, Han Yu and Liu Zongyuan.
In 1968, Roger Waters of the rock band Pink Floyd borrowed lines from his poetry to create the lyrics for the song Set the Controls for the Heart of the Sun from the band's second album A Saucerful of Secrets. "Lotuses lean on each other in yearning" (多少綠荷相倚恨).
From Wikipedia, the free encyclopedia
Du Mu (杜牧, 803—852) was a leading Chinese poet of the late Tang Dynasty. His courtesy name was Muzhi (牧之), and sobriquet Fanchuan (樊川).
He was born in Chang'an (modern Xi'an) into an elite family whose fortunes were declining. He passed the jinshi ("Presented Scholar") level of the imperial civil service examination in 827 at the age of 25, and went on to hold many official positions in various locales through the years. However, he never achieved a high rank, perhaps due to enemies made in a factional dispute in 835. He was appointed to the office of Secretariat Drafter shortly before his death.
Du Mu was skilled in shi, fu and ancient Chinese prose. He is best known as the writer of sensual, lyrical quatrains featuring historical sites or romantic situations, and often the themes of separation, decadence, or impermanence. His style blends classical imagery and diction with striking juxtapositions, colloquialisms, or other wordplay. He also wrote long narrative poems, as well as a commentary on the Art of War and many letters of advice to high officials.
Regarded as a major poet during a golden age of Chinese poetry, his name is often mentioned together with that of another renowned Late Tang poet, Li Shangyin, as the Little Li-Du (小李杜), in contrast to the Great Li-Du: Li Bai and Du Fu. Among his influences were Du Fu, Li Bai, Han Yu and Liu Zongyuan.
In 1968, Roger Waters of the rock band Pink Floyd borrowed lines from his poetry to create the lyrics for the song Set the Controls for the Heart of the Sun from the band's second album A Saucerful of Secrets. "Lotuses lean on each other in yearning" (多少綠荷相倚恨).
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