Drawing Autism( ZT By 影云)(自闭症的艺术作品)

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Drawing Autism is an incredible collection of artwork by people diagnosed with autism, from teenage amateurs to established artists. Unlike many of the books I feature on 50 Watts, this one is in print. You should buy it.This post features a small selection of my favorite images from the book, along with some quotes from the artists.

Publisher's description:

Drawing Autism celebrates the artistry and self-expression found in the drawings, paintings and collages created by individuals diagnosed with autism. The work of over 50 international contributors exhibits unique perspectives on how these individuals see the world and their places in it.

Author Jill Mullin, a behavior analyst and educator, has assembled a staggering array of work from established artists like Gregory Blackstock, Jessica Park and Ping Lian Yeak to the unknown but no less talented. Their creations, coupled with artist interviews, comprise a fascinating and compelling book that makes visual how autism manifests differently in every diagnosis.

Mullin’s introduction and the foreword by best-selling author Temple Grandin provide an overview of autism and advocate for nurturing the talents, artistic and otherwise, of autistic individuals.





Donna Williams, The Outsider

What was the inspiration for this piece?

"The Outsider" is about joining in from the periphery. It's about being able to join because one has retained the right to also leave. It's about treading the boundaries between two worlds. I think it's universal. We have all been the outsider.

An excerpt from the artist's answer to the question, "At what age did the act of creating art enter into your life?

I was deeply mesmerized with all things aesthetic and sensory from at least 6 months of age. Being meaning deaf, I saw musically. Being face blind, I was attuned to movement patterns. Being object blind and context blind, I'd tap everything to make noise, to hear its "voice," flick it to feel its movement, turn it to experience how it caught light, toss and drop and shred and snap and sprinkle grass, sand, twigs, leaves. I'd lick and run my hands and face over surfaces, wrap myself into fabrics. I'd align myself with symmetry and lines, mold myself into forms to feel their shape as them, stare at colors and lights and shapes trying to become one with them.



Felix: Imaginary City Map, Age 11

What was the inspiration for this piece

Generally I start drawing one street on different spots on the edge of my paper. I make the streets grow toward one another.

Who are some artists that you like?

None. I study road maps and atlases in detail and generally I scroll the full track of our trips on Google Earth.



Eleni Michael, Dancing with the Dog, 1995

What was the inspiration for this piece?

This was painted in 1995, not long after I had moved into a housing project for people with special needs. I was euphoric about my new home—a self-contained flat surrounded by a huge garden in a rural setting. (This idyll did not last long.) I brought my dog Jasper with me. He was the only lively animal there and brought great pleasure to me and all of the residents in the project. They loved him too and enjoyed playing with him and petting him. Jasper was a healthy presence and completely indiscriminate with friendships.



Wout Devolder, Werewolf (2008, at age 14)

What was the inspiration for this piece?

 

On May 8, 2008, my nephew Ben and my niece Sanne died in a fire. I was very sad and desperate. Because I didn't have words to express my despair, I drew this werewolf. I dedicate my drawing to Ben and Sanne.



Charles D. Topping: The Death of Love #373: Desiccated Love, 2009

 


Josh Peddle, Changing Seasons, 2006 (at age 12)

Do you think your art helps others understand how you view the world?

It feels weird when you have autism. I feel silly. It makes me sad thinking about it. People do not understand. Strangers cannot tell by looking at me that I have autism. If I am having trouble, they often want to tell my mom how I should behave. I wish I had more friends that liked me for who I am.



Jessica Park: The Mark Twain House with the Diamond Eclipse and Venus, 1999

 


Vehdas Rangan: A. (India)




Shawn Belanger, Stone House, 2007

 

Shawn's mother: The intensity that Shawn draws with is amazing. There is a look of concentration on his face that is intense, one gets the feeling that for that period of time the world ceases to exist.


David Barth, Vogels ("Birds" in Dutch), 2008 (at age 10)

from an email from David's mother to Jill Mullen:

His drawings often represent his current obsessions. In the attachment I send you, it's not hard to guess what's keeping him busy right now. There are almost 400 birds on it and he knows the names and Latin names of most of them.


D. J. Svoboda, Big Field Friends

How do you choose your subjects?

I always think of each Imagifriend and I write a name and story about each one. It all comes from my imagination.


Emily L. Williams, Leap Years

 

Emily L. Williams, They Take Away Your Razors, Your Shoelaces, & Your Belt

What was the inspiration for this piece?

This is a small portion of a larger piece that's yet to be completed. The larger piece is one of three in a series, focusing symbolically on psychiatric units, utilizing Hell as an analogy. The demons in the piece were inspired by 12th century works depicting Hell and the Final Judgment. The piece was also inspired by some of my own hospital stays in the past. While I was never a suicide risk, I always found it odd that none of the patients could have any of the items listed in the title of this piece. I understood the logic and the risk to suicidal patients, but nevertheless still found it strange to be walking around in shoes with their tongues hanging out or to have unshaven legs.





Milda Bandzaite, War in Vietnam, 2008

What was the inspiration for this piece?

This was inspired by all wars in the world and people's indifference for all bad things. And also it was inspired by the lyrics of the Project Pitchfork song "Vietnam"





Wil C. Kerner, Pals (collage), age 12

What was the inspiration for this piece? [answered by grandmother]

The key in understanding Pals is the brown rimmed off-white donkey ear. Four facial expressions depict the bad boys turning into donkeys in the movie Pinocchio: purple-faced Pinocchio is stunned by his new ear and considering what to do; it's too late for the horrified yellow face; the green trapezoid is oblivious to his pending fate; the blue head is looking away hoping he's not included.



Eric Chen, Mirror Mind poster 3, 2005

What was the inspiration for the Mirror Mind posters?

I created these posters to commemorate and promote the launch of my self-published autism book, Mirror Mind. The book aims to convey the inner feelings I feel as a person with autism, and the pictures represent a poem from each book.
bymyheart 发表评论于
回复陈默的评论:我也是觉得这些画有一种很深的解读需要仔细看。默默你一切都好吗?
陈默 发表评论于
不可思议地奇妙美丽!

很多幅都值得一看再看。
bymyheart 发表评论于
回复安娜晴天的评论:晴周末好。你说的是。艺术最初就是一种语言的表达,情绪的表达。自闭症的大脑由于某种原因一直不与外界交流整合,所以很单纯原始也很艺术和独特的视角表达自己眼睛里的世界和内心的世界,因为读不懂别人的表情感情论断,他们也不在乎世人的眼光。
艺术家有时需要这样的纯粹与无邪,当他们失去了这些灵感又希望把握住时,使自己处在创作的某种状态时,或迎合世俗的要求而灵感处于枯竭的不堪状态,很多人向毒品伸手。毒品使人进入精神的亢奋和奇异的自我感觉中。
这也与杜姐说的一样。
bymyheart 发表评论于
回复DUMARTINI的评论:杜姐好。人的大脑真是一座神奇的迷宫,一人一世界,一花一婆娑。我想很多艺术家进入创作时是自闭的,疯狂的,忘我的,这是他们与自闭症人平时的状态有很多类似,有些艺术家本人其实就是程度不同的自闭症或精神病。你看梵高,克林姆,柯勒惠之,爱德华蒙克的作品,当他们表达生死疾病爱这些强烈的情感和体会时,他们进入更自我的意识表达中。。。。
当艺术成了为卖钱的涂抹时艺术家失去了那种生命的激情冲动,多是迎合世界的产物或是技巧的罗列。艺术需要一些更纯粹的灵魂来表达这倒是符合自闭症人的特点,因为交流困难可惜大部分自闭症人伴有学习困难,所以很难得到他人的技术指导,毕竟有些东西除了天才对大部分人来说是需要学习的。
bymyheart 发表评论于
回复京燕花园的评论:是的,他们的心灵被屏障的同时眼光更纯粹无辜不受世俗干扰,这些用到艺术上反而更直接,是常人难以祈求的境界,他们不需要克服世俗的压力,因为他们是一些自闭而纯粹的灵魂。
bymyheart 发表评论于
回复南山松的评论:松,周末快乐。共同欣赏。
bymyheart 发表评论于
回复~叶子~的评论:叶子周末好。
这些绘画的作者都是一些自闭症的人,他们显然以更纯粹的笔触颜色形状表达自己和所见的世界。他们更少世俗的标准,我觉得更接近艺术的本来面目。谢谢欣赏。
安娜晴天 发表评论于
灵魂通过画笔说话。
DUMARTINI 发表评论于
真不可思议啊,多么有创意,每一幅都是孩子的杰作!

可见普通人的思想和思维方式都是被很多世俗的所谓理智的内容所压抑和限制。都格式和平凡化了!

怪不得有的艺术家期望自己不断有创意,然后就去接触具破坏性的毒品了
京燕花园 发表评论于
他们的心里藏着多么丰富多彩神秘的画面,艺术表达心灵~~~

特别喜欢那所象Lego搭的房子和下面的蝴蝶草那幅。
南山松 发表评论于
有趣的绘画~
~叶子~ 发表评论于
Incredible!
它是我想到了毕加索的巨作。
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