Alternative pic: http://i5.tinypic.com/1zdt7w8.jpg
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Composer: Joe Hisaishi:
Joe Hisaishi
From Wikipedia, the free encyclopedia
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō, born December 6, 1950) is a composer and director responsible for over 100 soundtracks and conventional albums dating back to 1981. He is best-known for his work with animator Hayao Miyazaki, including the soundtracks to Spirited Away (2001), Howl's Moving Castle (2004), Princess Mononoke (1997), My Neighbour Totoro (1988), and Nausicaä of the Valley of the Wind (1983). He is also known for his work with filmmaker Takeshi Kitano, including soundtracks for Dolls (2002), Kikujiro (1999), Hana-Bi (1997), Kids Return (1996), and Sonatine (1993). Lesser known are the other musical roles he plays - he is also a typesetter, author, arranger, and head of orchestra.
His daughter is a singer. Her name is Mai (麻衣).
Source: http://en.wikipedia.org/wiki/Joe_Hisaishi
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One customer's review on "The Rain":
Besides the "main theme", the highlight of this album is a beautiful instrumental with piano and violin - "THE RAIN", flowing in content and serenely classical with heavenly attributes, as the "main theme" is interwoven once again to the final note.
Kikujiro is the official international title for Kikujirō no Natsu (菊次郎の夏, ?, literally "Kikujirō's Summer"), a 1999 film starring, written, and directed by Japanese filmmaker Takeshi Kitano. Its score was composed by Joe Hisaishi.
Kikujiro tells the story of a young boy searching for his mother during his summer vacation. The film is mostly divided into smaller chapters, listed as entries in the boy's summer vacation diary. Kitano's inspiration for the character (not the film) was his own father, Kikujiro Kitano, a gambler who struggled to feed his family and pay the rent.
The film is regarded as Kitano's funniest, and perhaps most overlooked work. Aimed at the whole family, the film was allegedly inspired by the The Wizard of Oz with the basic premise being a road trip. Kitano's familiar elements and locales are present: drawings, vignettes, the seaside, and angels. However, the gangster themes for which Kitano is widely known are only tangental, proving to the audience that he is very capable of producing films of other genres; particularly, his early roots in comedy surface clearly in the film. Although the plot is composed largely of sad events, the film often has a light hearted atmosphere, achieved mostly through Kitano's character and his somewhat bizarre encounters.