The story progresses at a smart pace and fills the 600+ pages with suspense and
actions. With no long-winded repetitive description of scenaries or dozens of
rare words a page to look up in the dictionary, it evolves around characters of
generations and layer by layer reveals how sins and, for some, mistakes and
weaknesses, run their courses and how slowly but finely the wheels of justice grind.
After some background, the author set a trap with a job appointment at
Limmeridge to tutor two ladies to draw and the strange woman in white, a runaway
from an asylum, whom Walter met on his way back to London in that fateful
moon-lit night. An air of doom descended even before he left for the post.
Naturally, he fell in love with his pupil, Mss Fairlie, and had to give up as he
was out of class and more importantly she was already engaged. Walter did the
honorable thing by quitting and now the story really started. Step by step, from
bad to worse, the reader witnesses the lady fell deeper into the clutches of a rogue
who only wanted her money. Her life was in danger as she refused to cave in to her
husband's demands.
Like The Moonstone, the tale consists of narrations of several characters and
is again about love and crime. Unlike in the detective novel, even the master
villain gets to tell his side of the story. Two thirds in, I literally couldn't
put it down and found myself finishing the book in the small hours on Monday Aug
5.
I love this author's style! I felt like having made a discovery of something
hidden in plain sight.