Iberia (Albéniz)

Spanish piano virtuoso Pedro Carbone performs live Isaac Albeniz's complete Iberia. This is the only live video recording ever made of what is arguably the most complex set of pieces ever written for piano.

Iberia (Albéniz)

Iberia/>/> is a suite for piano composed between 1905 and 1909 by the Spanish composer Isaac Albéniz. It comprises four books of three pieces each; a complete performance lasts about an hour and a half.

It is Albéniz's masterpiece and his best-known work, highly praised by Claude Debussy and Olivier Messiaen, who said: "Iberia/>/> is the wonder for the piano; it is perhaps on the highest place among the more brilliant pieces for the king of the instruments". Stylistically, this suite falls squarely in the school/> of Impressionism, especially in its musical evocations of Spain/>/>. Technically, Iberia/>/> is one of the most difficult pieces in the repertoire, requiring immense strength from its interpreters and flexible hands.

Book 1

Dedicated to Ernest Chausson's wife.

Evocación (A-flat minor - A-flat major), an impressionist reminiscence of Albéniz' native country, combining elements of the southern Spanish fandango and the northern Spanish jota song forms.

El puerto (D-flat major), a zapateado inspired by the port town of Cádiz.

Fête-dieu à Seville (F-sharp minor - F-sharp major) (alternative titles sometimes found: "Corpus Christi"; "El Corpus en Sevilla"), describing the Corpus Christi Day procession in Seville, during which the Corpus Christi is carried through the streets accompanied by marching bands. This is arguably the most difficult piece in this suite, with the piano partiture spanning three and four staves in long sections. Musically, this piece consists of a processional march that eventually becomes overwhelmed by a mournful saeta, the melody evoking Andalusian cante jondo and the accompaniment evoking flamenco guitars. The march and saeta alternate ever more loudly until the main march theme is restated as a lively tarantella that ends abruptly with a flamboyant fort-fort-fort-fortissimo climactic chord; the piece concludes with a gentle coda again evoking flamenco guitars along with distant church bells.

 

Book 2

Rondeña (D major), after the Andalusian town of Ronda.

Almería (G major)

Triana (F-sharp minor), after the Gypsy quarter of Seville.

 

Book 3

El Albaicín (B-flat minor - B-flat major)

El Polo (F minor)

Lavapiés (D-flat major), after the district of Madrid.

 

Book 4

Málaga (B-flat minor - B-flat major)

Jerez/>/> (A minor (arguably E Phrygian) - E major)

Eritaña (E-flat major)

 

Premier performance

The twelve pieces were first performed by the French pianist Blanche Selva, but each book was premiered in a different place and on a different date. Three of the performances were in Paris, the other being in a small town in the south of France/>/>.

Book I: May 9, 1906, Salle Pleyel, Paris

Book II: September 11, 1907, Saint-Jean-de-Luz

Book III: January 2, 1908, Palace/> of Princess de Polignac, Paris/>/>

Book IV: February 9, 1909, Société Nationale de Musique, Paris.