ANNE-SOPHIE MUTTER/CARMEN FANTASIE Musicians: Anne-Sophie Mutter, violin Vienna Philharmonic James Levine, conductor Pablo De Sarasate (1844-1908) Track Listing: 1. Zigeunerweisen (Airs bohemiens): Henryk Wieniawski (1835-1880) 2. Legende: Giuseppe Tartini (1692-1770) 3. Sonata in G Minor "Devil's Trill" (arranged by Riccardo Zandonai): Maurice Ravel (1875-1937) 4. Tzigane: Jules Massenet (1842-1912) 5. Meditation - from "Thais": Pablo De Sarasate 6.-10. Fantasie de concert sur des motifs de: "Carmen" 11. Gabriel Faure (1845-1924): Berceuse Total Time: 66:43 |
Carmen Fantasy (Sarasate) The piece contains an adaptation of the Aragonaise, Habanera, an interlude, Seguidilla, and the Gypsy Dance.
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845,[1] itself influenced by the narrative poem The Gypsies (1824) by Alexander Pushkin.[2] Mérimée had read the poem in Russian by 1840 and translated it into French in 1852.[3] The opera premiered at the Opéra-Comique of Paris on 3 March 1875, but its opening run was denounced by the majority of critics.[4] It was almost withdrawn after its fourth or fifth performance, and although this was avoided, ultimately having 48 performances in its first run,[5] it did little to bolster sagging receipts at the Opéra-Comique. Near the end of this run, the theatre was giving tickets away in order to stimulate attendance. Bizet died on 3 June 1875, never knowing how popular Carmen would become. In October 1875 it was produced in Vienna, to critical and popular success, which began its path to worldwide popularity.[6] It was not staged again at the Opéra Comique until 1883. Since the 1880s it has been one of the world's most performed operas[7] and a staple of the operatic repertoire. Carmen appears as number four on Opera America's list of the 20 most-performed operas in North America.[8] Bizet's final opera not only transformed the opéra comique genre that had been static for half a century, it virtually killed it. Within a few years, the traditional distinction between opera (serious, heroic and declamatory) and opéra comique (light-hearted, bourgeois and conversational with spoken dialogue) disappeared. Moreover, Carmen nourished a movement that was to win both celebrity and notoriety first in Italy and then elsewhere: the cult of realism known as verismo.[9] The early death of Bizet and the negligence of his immediate heirs and publisher led, as with most of Bizet's operas, to major textual problems for which scholars and performers only began to find solutions since the 1960s.[10] The story is set in Seville, Spain, c. 1830, and concerns the eponymous Carmen, a beautiful Gypsy with a fiery temper. Free with her love, she woos the corporal Don José, an inexperienced soldier. Their relationship leads to his rejection of his former love, mutiny against his superior, and joining a gang of smugglers. His jealousy when she turns from him to the bullfighter Escamillo leads him to murder Carmen.
卡门》是比才的一部歌剧。该剧在比才死后才获得成功。美国女高音格拉汀·法拉的有声电影和查理·卓别林的一部无声电影更是扩大了歌剧的名声。20世纪80年代有過一次卡门熱潮。1983年的几个月内，彼得·布鲁克改编版的《卡门悲剧》上演，在隆达导演弗朗切斯哥·罗斯协同多明哥拍摄了电影版的卡门。 背景 歌劇通過光影對比來渲染那些陰暗的行動。第一幕是在塞維亞的街頭，看守來回的走動。菸廠女工的鬥毆；第二幕是吉卜賽人的生活和舞蹈；第三幕是走私者的肖像；第四幕：斗牛士的遊行行列。金髮美女米凱拉體現著歌劇抒情的一面，她是何塞的戀人和他母親的信使。她的舉止是如此的優雅，樂隊的音樂也是如此。 西班牙吉卜賽女郎卡門生活在感官世界裡。她受著愛欲的驅使，在愛過很多男人後，又看上了沙展何塞。她使出盡渾身解數要何塞上鉤，讓他去和人打鬥和違反軍法，讓他不得不逃走。他對卡門的愛讓他能逆來順受，但當卡門變心時，他終於絕望了。去看過彌留的母親之後，他知道自己還愛著卡門。他倆在斗牛場前相遇了。在此之前卡門已答應艾斯卡米諾的求婚。何塞懇求卡門回心轉意，卡門不答應，並要跑到艾斯卡米諾那，憤怒的何塞把匕首刺進她的胸膛。 After winning several prizes, she was exempted from school to dedicate herself to her art. When she was 13, conductor Herbert von Karajan invited her to play with the Berlin Philharmonic. In 1977, she made her debut at the Salzburg Festival and with the English Chamber Orchestra under Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with von Karajan and the Berlin Philharmonic. In 1980, she made her American debut with the New York Philharmonic under Zubin Mehta. In 1985, at the age of 22, she was made an honorary fellow of the Royal Academy of Music (London) and head of its faculty of international violin studies. In 1988, she made a grand tour of Canada and the United States, playing for the first time at Carnegie Hall. In 1998 she played and recorded for CD and DVD the complete set of Beethoven's Violin Sonatas, accompanied by Lambert Orkis; these were broadcast on television in many countries. Though her repertoire includes many classical works, Mutter is particularly known for her performances of contemporary music. A number of pieces have been especially written for or dedicated to her, including Henri Dutilleux's Sur le même accord, Witold Lutosławski's Partita, Krzysztof Penderecki's Second Violin Concerto and Wolfgang Rihm's Gesungene Zeit ("Time Chant"). In August 2007, she premiered Sofia Gubaidulina's Violin Concerto No. 2 "In tempus präsens". She has received various prizes, including several Grammys. She also owns two Stradivarius violins (The Emiliani of 1703, and the Lord Dunn-Raven of 1710) and a Regazzi, dated 2005.[1] Mutter never plays with a shoulder rest.[citation needed] In October 2006, on French television, Mutter appeared to indicate that she would be retiring when she turned 45, in 2008.[2] However the following month she said that her words were "misinterpreted" and that she would continue to play as long as she felt she could "bring anything new, anything important, anything different to music".[3]
However, on 21 August 2006, Mutter's office announced that she and Previn had divorced. The couple were rumoured to have separated three months previously, but confirmed their divorce as of the above date.[6]
Anne-Sophie Mutter and Lambert Orkis for Beethoven: The Violin Sonatas (Nos. 1-3, Op. 12; Nos. 1-3, Op. 30; "Spring" Sonata) (2000) Anne-Sophie Mutter and André Previn (conductor) for Previn: Violin Concerto "Anne-Sophie"/Bernstein: Serenade (2005) Order of Merit of the Federal Republic of Germany, First Class Herbert von Karajan Music Prize (2003) [7] Ordre des Arts et des Lettres (2005) Victoires de la Musique Classique (2006) Ernst von Siemens Music Prize (2008) 安娜-苏菲·穆特 她出生于德国巴登州莱茵菲登。五岁即开始演奏钢琴，但很快就转为小提琴，并跟 Erna Honigberger 和 Aida Stucki 学习。 她很快就获得了很多奖项，引起艺术界的注意。13岁的时候，指挥家卡拉扬就要请她和柏林爱乐管弦乐团共同演奏。1977年，她首次登台萨尔斯堡音乐节，伴奏的是英国室内乐团，指挥為丹尼尔·巴伦博姆。 15岁的时候穆特就在卡拉扬的指挥下，录制了第一张唱片，和柏林爱乐管弦乐团录制莫扎特的第三、五小提琴协奏曲。同年她被评为年度艺术家。 1980年，她和纽约爱乐、祖宾·梅塔作了她的美国首演。1985年，即22岁的时候，她成为皇家音乐学院（伦敦）荣誉会员，国际小提琴系主任。1988年，她巡演加拿大和美国，第一次在卡耐基大厅演奏。1998年她录制CD和DVD，曲目是贝多芬小提琴奏鸣曲全集，钢琴是 Lambert Orkis，其演奏在多个国家广播。 虽然她演奏过很多西洋古典音乐，但她演奏的新音乐还是很有名的。很多音乐家写过作品献给她，包括卢托斯拉夫斯基的变奏曲，彭德雷茨基的第二小提琴协奏曲和里姆的《时间圣歌》。 1989年首度婚姻、育有子女二人，1995年丈夫去世，2002年二度結婚，丈夫是安德列·普列文，2006年8月21日仳離。 |
【小提琴专辑】 Carmen - Fantasie
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